Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the option that best fits each of the numbered...
Đề bài
Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the option that best fits each of the numbered blanks from 18 to 22.
Music now crosses borders faster than at any time in history. Digital platforms, migrant communities, and global tours move songs across languages. (18) _______. Cheap data and better translation tools reduce friction for first-time listeners. Radio and television once set the agenda; today, playlists and short videos do. Collaborations filmed on phones travel from small studios to global stages. When remixes go viral, local artists gain visibility abroad. (19) _______. Labels are then more willing to invest in cross-border projects. Yet globalization is not only growth and celebration. Some fear a uniform taste and the loss of local instruments. Public archives and community festivals can counter that risk. (20) _______. Local educators and elders share stories behind rhythms, not just catchy hooks. Curators try to balance novelty with familiarity in weekly playlists. (21) _______. Music workers also learn from each other–about rights, credits, and fair pay. If exchange is respectful, listeners can enjoy variety while scenes stay alive. (22) _______.
(Adapted from Smithsonian Magazine, “How We Can Support the World’s Rich Musical Diversity”)
Question 18. A. These networks disseminate content rapidly, enabling niche musical styles to reach curious international listeners
B. This infrastructure spreads material quickly, allowing specialized genres to connect with interested audiences abroad
C. Such distribution channels operate efficiently, helping distinctive musical traditions find receptive listeners globally
D. These platforms transmit music swiftly, facilitating cross-cultural exchanges between diverse musical communities