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Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the option that best fits each of the numbered...

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Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the option that best fits each of the numbered blanks from 36 to 40.

The Vietnamese entertainment landscape has recently undergone a seismic shift with the explosive popularity of male-centric reality competitions like Anh Trai Vượt Ngàn Chông Gai and Anh Trai Say Hi. These programs have successfully revitalized the careers of veteran performers while simultaneously catapulting fresh faces into the spotlight by assembling diverse ensembles, (36) ______, thrusting them into a high-pressure environment where collaborative survival supersedes individual ambition. Unlike traditional talent searches that foster cutthroat isolation, these formats necessitate a complex negotiation of identity within a group dynamic.

Friction is inevitable in such a creative crucible, as established artistic egos frequently clash over musical arrangements and stage concepts. Yet, when confronted with the exigency of delivering a spectacle that honors their legacy while appealing to a modern demographic, these artists, despite harboring deep-seated reservations about diluting their established personal brand identities, (37) ______, recognizing that the synergy of the collective is the only path to reinventing their legacy. This evolution from rivalry to brotherhood constructs a compelling narrative arc. (38) ______. It is this vulnerability and mutual support that transform a mere televised variety show into a profound commentary on modern masculinity.

Beyond the glitter of choreography and vocal prowess, the enduring resonance of these shows stems from the raw, unscripted moments of connection that occur behind the scenes. (39) ______. In a digital era often criticized for its curated superficiality, audiences are starving for depth, and consequently, (40) ______, creating a cultural phenomenon that extends far beyond the broadcast.

(Adapted from English.vtv.vn)

Question 36:

A. the vast majority of whom have already navigated the dizzying heights of fame
B. and navigating the heights of fame that already dizzied the vast majority of them
C. which the dizziness of navigating high fame has already significantly heightened them
D. as well as the height of fame, is already a dizzying navigation for the vast majority

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